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Hill Gary

Gary Hill, Feedback Path

Parallèlement à l’installation d’Allan Packer, Gary Hill répond par une œuvre virtuelle, une fresque vidéo qui vient se poser sur le toit du bâtiment d’accueil de la grotte construit par l’architecte Olivier Weets. Sur cette construction contemporaine, l’artiste déverse métaphoriquement le temps à l’envers. Son animation figure en effet une rivière qui coule dans le sens inverse de l’Arize qui se déverse en creux, quelques mètres plus bas. Le son de la rivière réelle se pose sur les images factices, achevant ainsi de fusionner les deux cours d’eau.

En travaillant sur la rivière, l’artiste se réfère directement au site naturel de la grotte, façonné depuis des millions d’années par son flux continu. Depuis des temps immémoriaux c’est elle qui a dessiné les circonvolutions de la cavité. Mais ce faisant c’est vers d’autres flux, contemporains eux, ceux des images et de l’information qui irriguent nos inconscients, que l’artiste retourne. Pionnier de l’art vidéo, Gary Hill utilise en effet fréquemment depuis ces dernières années des images de synthèse, miroir direct d’un environnement humain dans lequel les mondes virtuels et les réalités augmentées ont pris une place considérable. La rivière de Gary Hill charrie divers objets reconnaissables, certains ayant une forte valeur emblématique, des objets utilitaires, qui, témoins de notre quotidien, attirent notre attention sur la relativité du temps. Cette rivière fantôme qui coule à l’envers et l’ensemble des objets familiers qu’elle charrie semble écrire une sorte de phrase sans fin. Chaque objet serait un nouveau mot, un nouveau son, dans un langage encore en invention.

ensemble

Curriculum vitae

feedback bath

Gary Hill in Mas d’Azil from 27 mai to 10 juillet 2011

Lives and works in Seattle.

Gary Hill (b. 1951, Santa Monica, CA) has worked with a broad range of media "including sculpture, sound, video, installation and performance" since the early 1970’s. His longtime work with intermedia continues to explore an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity. Exhibitions of his work have been presented at museums and institutions worldwide, including solo exhibitions at the Fondation Cartier pour l’art contemporain, Paris; San Francisco Museum of Modern Art; Centre Georges Pompidou, Paris; Guggenheim Museum SoHo, New York; Museum for Gegenwartskunst, Basel; Museu d’Art Contemporani, Barcelona; and Kunstmuseum Wolfsburg, among others. Commissioned projects include works for the Science Museum in London and the Seattle Central Public Library in Seattle, Washington, and an installation and performance work for the Coliseum and Temple of Venus and Rome in Italy. Hill has received fellowships from the National Endowment for the Arts and the Rockefeller and Guggenheim Foundations, and has been the recipient of numerous awards and honors, most notably the Leone d’Oro Prize for Sculpture at the Venice Biennale (1995), a John D. and Catherine T. MacArthur Foundation Fellowship Award (1998), the Kurt-Schwitters-Preis (2000), and an Honorary Degree of Doctor Honoris Causa of The Academy of Fine Arts Poznan, Poland (2005).

1951 – 1968

Born April 4, 1951, in Santa Monica, California. Grows up in Redondo Beach, surfing and skateboarding. National skateboard champion in 1964; performs in the Cannes Film Festival-prize winner, Skaterdater. At 15 meets the artist Anthony Parks, who encourages him to take up welding and sculpture. Takes first dose of LSD. Stepfather builds him a small studio in the backyard.

1969
Moves to New York State and attends summer session at the Art Students League in Woodstock, New York. Supports himself with various odd jobs, mostly washing dishes.

1970 -1972

Studies independently with the painter Bruce Dorfman. Encounters the work of composers La Monte Young and Terry Riley.

After seeing the "New York Painting and Sculpture 1940-1970" exhibition at the Metropolitan Museum of Art, makes a series of mixed media constructions using copper coated steel welding rod, wire mesh, canvas and enamel. Experiments extensively with sound-generating steel rod constructions and electronically generated sounds.

First solo exhibition at the Polari Art Gallery in Woodstock, New York.

1973

First experiments with video through Woodstock Community Video in Woodstock, New York. Assists with local cable TV in exchange for equipment use; becomes acquainted with the Videofreeks and Earthscore video groups in upstate New York.

Improvises sound-generating environmental constructions using industrial welding rods at the Woodstock Artists Association.

1973-1974
First group exhibition, "Artists from Upstate New York" at 55 Mercer Gallery in New York City. Makes first video installation, Hole in the Wall, at the Woodstock Artists Association. Exhibits first videotapes at The Kitchen Center for Video and Music in New York.

1974-1976
Continues working with Woodstock Community Video as Artists TV Lab coordinator supported by the New York State Council on the Arts. Begins video work correlating image with sounds.

1974-1977
As artist-in-residence at the Experimental Television Center, Binghamton, New York, meets engineer Dave Jones.

1977
Moves to Barrytown, New York, with Dave Jones and builds experimental video tools designed by Jones. Meets poets George Quasha and Charles Stein, who become long time friends and collaborators.

1978
Creates first works dealing with the speaking voice in relation to the image. Receives a Production Grant from the New York State Council on the Arts, a Creative Artist Public Service Fellowship, and the first of four National Endowment for the Arts Fellowships.

1979-1980

Moves to Buffalo, New York, and teaches at the Center for Media Study, State University of New York (SUNY), Buffalo, New York. Meets Woody and Steina Vasulka, Paul Sharits, and Hollis Frampton.

First solo museum exhibition with the installation Mesh at the Everson Museum, Syracuse, New York.

Produces Soundings as artist-in-residence at WNET/Channel 13, New York. Also completes Around & About, Processual Video, and Black/White/Text, all focusing on the relationship between language and image.

1981
Returns to Barrytown, New York and begins work on Primarily Speaking. Visits the West Coast for the summer and renews interest in surfing. Recipient of a Rockefeller Video Artist Fellowship.

1982-1983
Teaches at the summer graduate program at Bard College, Annandale-on-Hudson, New York. Invited to the American Center in Paris for a videotape retrospective and meets Anne Angelini, who later performs in several works. Influenced by readings of Gregory Bateson’s Steps to an Ecology of Mind and John C. Lilly’s Center of the Cyclone and The Scientist.

1984
Moves to Kamakura, Japan supported by a Japan/U.S. Exchange Fellowship and there marries Katherine Bourbonais (later separated). Returns to Barrytown, New York for the summer and produces Why Do Things get in a Muddle? (Come On Petunia) with his wife and Charles Stein performing.

1985

Returns to Japan to live and work in Tokyo. Meets Kyogan Master Don Kenny who performs along with Kathy Bourbonais in URA ARU (the backside exists). As artist-in-residence at SONY in Hon Atsugi, completes the first edit of the work.

Moves to Seattle, Washington, and establishes a video program at Cornish College of the Arts.

1986
Birth of daughter, Anastasia. First encounter with the writings of Maurice Blanchot, in particular Thomas the Obscure, which he draws upon for the installation In Situ. Recipient of a Guggenheim Fellowship.

1987
Commissioned by the Museum of Contemporary Art, Los Angeles, California, and exhibits CRUX as a « performance installation » in the auditorium. Visiting artist at the California Institute for the Arts, Valencia, California.

1988

Completes Incidence of Catastrophe, also inspired by Blanchot’s Thomas the Obscure, which receives first prize at the World Wide Video Festival in The Hague and at the Montreal Independent Film and Video Festival.

Travels to Paris for six months as a National Endowment for the Arts Exchange Fellow and is commissioned by the Musée national d’art moderne, Centre Georges Pompidou to produce a new work. In the first major collaboration with George Quasha, adapts selected Gnostic texts and eventually produces the installation Disturbance (among the jars). Meets Jacques Derrida, who plays a central figure in the piece.

1989
Produces Site Recite (a prologue), commissioned for Spanish Television as part of the series « El Arte del Video. »

1990

Exhibits the video installation series And Sat Down Beside Her at Galerie des Archives in Paris. Again, fragments of Blanchot’s writings appear, as well as Anne Angelini who performs for the work (reading in Thomas the Obscure). The Museum of Modern Art, New York, exhibits Inasmuch as It Is Always Already Taking Place.

Commissioned by La Sept of Paris for « Live, » a series of real time videotapes proposed by Phillipe Grandieux, and produces Solstice d’Hiver, a one hour real-time recording.

1991

Commissions Dave Jones to design a computer-controlled video switcher for a number of « switch » pieces, the first being Between Cinema and a Hard Place. Meets artist Marine Hugonnier who later appears in Suspension of Disbelief (for Marine).

Returns to Paris as artist-in-residence at the L’Hôpital Éphémère.

Recipient of a second Guggenheim Fellowship.

1992

Premieres the installation Tall Ships, commissioned by Jan Hoet for « Documenta IX. » First of several works in which his daughter, Anastasia, as well as other family members appear.

« Gary Hill, » first museum survey exhibition in Europe organized by the Musée national d’art moderne, Centre Georges Pompidou, Paris. Travels to Valencia, Vienna, and Amsterdam.

1994

Daughter reads Ludwig Wittgenstein for the installation Remarks On Color. « Imaging the Brain Closer than the Eyes, » an exhibition of recent works, is organized by the Museum für Gegenwartskunst, Basel, Switzerland.

1994-1995
« Gary Hill, » first museum survey exhibition in the United States organized by the Henry Art Gallery of the University of Washington, Seattle, Washington. Travels to Philadelphia, New York, Los Angeles and Kansas City.

1995
Receives the Leone d’Oro Prize for Sculpture at the Venice Biennale.

1996-1998

Produces Reflex Chamber, the first of a number of works to utilize strobe lights in conjunction with images and spoken text, followed by Midnight Crossing, commissioned by Westfällischer Kunstverein, Münster, Germany.

Collaborates with the choreographer Meg Stuart and her dance company "Damaged Goods" to produce Splayed Mind Out. Performed more than 50 times in Europe, South America and the United States.

1998

Recipient of a John D. and Catherine T. MacArthur Foundation Fellowship Award.

While artist-in-residence at the Capp Street Project in San Francisco, California, produces 23:59:59:29 "The Storyteller’s Room".

2000
Collaborates with George Quasha and Charles Stein on the performance Spring from Undertime (Awaking Awaiting); with Christelle Fillod, producing sound for her performance Ship Building in a Kleinbottle; and with the Swedish artist Paulina Wallenberg-Olsson on the Black Performance, presented in Frankfurt, Paris, Hong Kong and Tokyo. Receives the Kurt-Schwitters-Preis 2000 of the Niedersächsische Sparkassenstiftung, Hannover, Germany.

2000-2001
Receives the Joseph H. Hazen Rome Prize Fellowship and lives at the American Academy in Rome. While in residence produces Goats and Sheep, his first single-channel videotape since 1990, for the publication Gary Hill: Around & About: A Performative View, co-published by Éditions du Regard and Fabienne Leclerc of In Situ, Paris. Commissioned by the Science Museum, London, and completes permanent installation of HanD HearD ; Variation.

2002
Following an artist-in-residency at La Compagnie in the Belsunce region of Marseille, France, completes the commissioned work, Accordions (The Belsunce Recordings, July 2001).

2003

Resides primarily in Paris and teaches at École nationale supérieure des beaux-arts, Paris, and Le Fresnoy Studio national des arts contemporains, Tourcoing, France (2003-05).

Following a two-week trip to a Yanomami village in Brazil, creates the commissioned work Impressions d’Afrique for the exhibition, « Yanomami: l’esprit de la forêt, » at the Fondation Cartier pour l’art contemporain, Paris, France.

Collaborates with George Quasha on performances for the 10th Biennial of Moving Images, Saint-Gervais Genève, Switzerland, and at the University of Notre Dame, Indiana; and with Paulina Wallenberg-Olsson on the Black Performance in Taipei, Taiwan.

2004

Completes permanent installation of Astronomy by Day (and other oxymorons) for the Seattle Central Public Library, Seattle, Washington.

Collaborates with George Quasha, Charles Stein, Aaron Miller, and Dorota Czerner on the performance, Mind on the Line, presented at various venues in Poland and the Czech Republic; and with Paulina Wallenberg-Olsson, Jean Luc Vilmouth and students on a performance for the École nationale supérieure des beaux-arts, Paris.

2005

Recipient of the Honorary Degree of Doctor Honoris Causa of The Academy of Fine Arts Poznan, Poland.

Collaborates with Paulina Wallenberg-Olsson on the performance Image et language for the L’auditorium du Louvre, Paris, France.

Commissioned by the Soprintendenza Archeologica di Roma to produce Resounding Arches / Archi Risonanti, an installation of multiple projections with sound, for the Colosseum and Temple of Venus and Rome, which was the first contemporary art work to be created for the site The event culminated with the performance, Dark Resonances, in collaboration with Paulina Wallenberg-Olsson and Charles Stein.

2006
Produces Frustrum and Guilt for a solo exhibition of new work commissioned by the Fondation Cartier pour l’art contemporain, Paris, France.

2007
Marries Magdalena Szczepaniak.

2008-2009

Commissioned by the Holland Festival to collaborate on the production of « Varèse 360°, » a two-night concert of the composer Edgard Varèse’s complete works, presented at the Westergasfabriek Gashouder, Amsterdam, and at Salle Pleyel, Paris, in 2009. Develops dramaturgy and develops and directs the visual component for the entirety of performance. Invites further collaboration with performers Christelle Fillod, George Quasha, Els Van Riel, and Charles Stein, and with costume design by Paulina Wallenberg-Olsson. The staging included live peformative events and a series of live and pre-recorded video projections on multiple projection screens, including rail sliding screens conceived by the artist.

Conceives and directs the performance The Mirror Points at the L’auditorium du Louvre, Paris, in collaboration with performers Olivier Cachin, Christelle Fillod, Paulina Wallenberg-Olsson and Christine de Smedt, and engineer Peter Brun.

2011

Recipient of the Honorary Degree of Doctor of Fine Arts from Cornish College of the Arts, Seattle, Washington. Receives the Artist Trust 2011 Arts Innovator Special Recognition Award.

Recipient of The Stranger’s Genius Award for film. Artist in Residence, Quartier 21/Tonspour, Vienna.

Creates Child’s Play, a mixed media work incorporating 8 channels of sound, photographs and spoken text

2012
Artist in Residence, Cazadoro, Mas d’Azil, France

2013

Commissioned by La Foundation Nationale des Arts Graphiques et Plastiques to produce, Feedback Path in the Grotte du Mas d’Azil, France.

Artist in Residence, Ecole Nationale Supérieure Photographie Arles, Arles, France

Directed Beethoven’s, Fidelio merging it with the science fiction epic poem, Aniara. The scenario takes place on an abstract space ship in which the characters are choreographed on Segways. The majority of the stage/scene was created from animations on multiple screens, most of which are in black and white. The work premiered at the Lyon Opera House with further performances at the Edinburg Festival.

Artist in residence at the Pilchuck Glass School. Unexpectedly develops a number of work incorporating glass including, Aloidia Piorm, Klein Bottle with the image of Its Own Making, Inasmuch As It Has Already Taken Place and Untitled (Fat Boy & Little Man)

2014
Birth of son, Anton Lumen Hill

solo exhibitions

2017 “Is A Bell Ringing in the Empty Sky,” James Harris Gallery, Seattle, WA

2016 “Gary Hill: Dream Stop, ” James Harris Gallery, Seattle, WA

2015

“Gary Hill: Around & About,” University of Texas at Austin (The Public Art Program), Austin, TX

“VIDEOTANK # 11: GARY HILL,” Foreman Art Gallery, Sherbrooke, Quebec, Canada

“Gary Hill: Observaciones Sobre los Colores,” Roberts & Tilton Gallery, Culver City, CA

“Gary Hill,” The Armory Show/James Harris Gallery, New York, NY

“Gary Hill: Depth Charge,” Lia Rumma Gallery, Milan, Italy

“Gary Hill,” Retrospective screening, 37th Moscow International Film Festival, MIFF Media Forum, Moscow, Russia

2014 “Aloidia Piorm,” James Harris Gallery, Seattle, WA

2013

“Retrospective Gary Hill” (single-channel works) Videonale Fesitival, Bonn Kunstmuseum, Bonn, Germany

“Gary Hill” Loop Fair Barcelona, Barcelona, Spain

2012

“Gary Hill”, the Center for Contemporary Art, Tel Aviv, Israel

“Up Against Down,” DNA Gallery, Berlin, Germany

“Glossodelic Attractors,” The Henry Art Gallery, Seattle, WA

“Cutting Corners Creates More Sides,” In Situ/Fabienne Leclerc, Paris, France

2011

“Cutting Corners Creates More Sides,” Donald Young Gallery, Chicago, IL

“Wall Piece,” Kunstverein Ruhr, Essen, Germany

“Child’s Play,” TONSPUR 48, MuseumsQuartier, Vienna, Austria

“of surf, death, tropes & tableaux: The Psychedelic Gedankenexperiment,” Gladstone Gallery, New York, NY

2010

« Gary Hill: Circumstances/Circunstâncias, » MIS « “ Museu da Imagem e do Som, São Paulo, Brazil

« Gary Hill: Viewer, » GMG Gallery, Moscow, Russia

« Gary Hill: Between Word and Image, » Headquarters of the Superintendence for the Archaeological Heritage of the Vento / Ministry of Cultural Heritage, Verona, Italy

2009

« Gary Hill: Voice Grounds, » St Paul Street Gallery, Auckland University of Technology, Auckland, New Zealand

« Art of Limina: Gary Hill, » Slought Foundation, Philadelphia, PA

« Gary Hill: Up Against Down, » Christchurch Art Gallery, Christchurch, New Zealand

« Gary Hill: o lugar sem o tempo / taking time from place, » Oi Futuro, Rio de Janeiro, Brazil

2008

James Harris Gallery, Seattle, WA

« Gary Hill / It’s Turtles All the Way Down, » in SITU / Fabienne Leclerc, Paris, France

Fundacion Centro Cultural Chacao, Caracas, Venezuela

2007 Gladstone Gallery, New York, NY

« Gary Hill: Frustrum, » Art Cologne, Cologne, Germany (special installation organized by IMAI, Dusseldorf, in collaboration with Fondation Cartier pour l’art contemporain, Paris)

« Gary Hill / Gerry Judah, » Louise T. Blouin Foundation, London, England

« Gary Hill: Glass Onion, » 911 Media Arts, Seattle, WA

«Gary Hill: Strange Trajectories, » IMAI (Inter Media Art Institute) / NRW-Forum, Dusseldorf, Germany

2006

Donald Young Gallery, Chicago, IL

« Gary Hill: Images of Light, » Museu d’Art Espanyol Contemporani, Palma de Mallorca, Spain; Museo de Arte Abstracto Espanol, Cuenca, Spain, 2007

« Gary Hill, » Fondation Cartier pour l’art contemporain, Paris, France

2005

« Image, Body, Text: Selected Works by Gary Hill, » San Francisco Museum of Modern Art, San Francisco, CA

« Gary Hill: Resounding Arches / Archi Risonanti, » solo exhibition of projected installations at the Coliseum and Temple of Venus and Rome, Italy

2004

« Gary Hill: Wall Piece, » Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN

« Gary Hill: Remarks on Color, » Philadelphia Museum of Art, Video Gallery, Philadelphia, PA

« Gary Hill: Around & About, » In Situ / Fabienne Leclerc, Paris, France

« Gary Hill: Tall Ships, » Art Gallery of Nova Scotia, Halifax, Canada

« Gary Hill: Language Willing, » 911 Media Arts Center, Seattle, WA

« Gary Hill: A Personal Anthology / Video Works, » The Ossolinski National Institute, Wroclaw, Poland and FAMU, Prague, Czech Republic

« Gary Hill: Inasmuch As It Is Always Already Taking Place, » Museum of Modern Art, New York, NY

2003 "Gary Hill: Selected Works 1976/2003, » Museum of Contemporary Art, Taipei, Taiwan

2002

« Gary Hill: à Belsunce, » La Compagnie, Marseille, France

Rose Art Museum, Brandeis University, Waltham, MA

Handwerker Gallery, Ithaca College, Ithaca, NY

« Language Willing, » Barbara Gladstone Gallery, New York, NY

« Gary Hill: HanD HearD, » Museum of Modern Art Queens, Long Island City, NY

« Gary Hill: Language Willing, » Boise Art Museum, Boise, ID; Arizona State University Art Museum, Tempe, AZ; Northwest Museum of Arts & Culture, Spokane, WA; Art Gallery of Nova Scotia, Halifax, Canada; Salt Lake Art Center, Salt Lake City, UT

2001

« Hill(scape), » Extra Microwave Media Art Festival (organized by Videotage), Hong Kong Cultural Centre, Hong Kong

The Winnipeg Art Gallery, Winnipeg, Manitoba, Canada

« Gary Hill: Remembering Paralinguay, » in SITU Fabienne Leclerc, Paris, France

« l’écriture vidéophage « “ les bandes vidéo de Gary Hill, » La Compagnie, Marseille, France

« Gary Hill, » 13th Videobrasil Electronic Art International Festival, São Paulo, Brazil

« Gary Hill: Selected Works, » Kunstmuseum Wolfsburg, Wolfsburg, Germany; Centro Cultural de Belém, Lisbon, Portugal

2000 Donald Young Gallery, Chicago, IL

London Regional Art and Historical Museum, London, Ontario, Canada

Centro Cultural Recoleta, Buenos Aires, Argentina

Museo Caraffa, Córdoba, Argentina

« Gary Hill: The Performative Image, » WATARI-UM, The Watari Museum of Contemporary Art, Tokyo, Japan, and Towers Plaza Hall, Nagoya, Japan

Sprengel Museum, Hannover, Germany

1999

Aarhus Kunstmuseum, Aarhus, Denmark

School of the Museum of Fine Arts, Boston, MA

« Gary Hill: Video Works, » NTT InterCommunication Center (ICC), Tokyo, Japan

« A name, a kind of chamber, two weapons and a still life, » Barbara Gladstone Gallery, New York, NY

Galleria Lia Rumma and Galleria Carla Sozzani, Milan, Italy

1998

Musée d’art contemporain de Montréal, Montreal, Quebec, Canada

« Visual Utterance: The Works of Gary Hill, » Pacific Film Archive, University of California, Berkeley, CA

Rice University Art Gallery, Houston, TX

Fundação de Serralves, Porto, Portugal

Donald Young Gallery, Seattle, WA

Capp Street Project, San Francisco, CA

St. Norbert Arts and Cultural Centre, St. Norbert, Manitoba, Canada

Museu d’Art Contemporani, Barcelona, Spain

Center for Contemporary Images, Saint-Gervais Genève, Geneva, Switzerland

The Kitchen, New York, NY

Barbara Gladstone Gallery, New York, NY

Whitney Museum of American Art, New York, NY

1997

Westfällischer Kunstverein, Münster, Germany

« Gary Hill: o lugar do outro/where the other takes place, » Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil; Museu de Arte Moderna de São Paulo, Brazil

University Art Galleries, University of California, San Diego, CA

Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland

« Gary Hill: Rétrospective de ses premières oeuvres mono-bandes, » Cinéma Lux, Caen, Basse-Normandie, France

1996

« Gary Hill: Withershins, » Institute of Contemporary Art, Philadelphia, PA

Galerie des Archives, Paris, France

Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, (Forum), Bonn, Germany

Galleria Lia Rumma, Naples, Italy

Donald Young Gallery, Seattle, WA

« Gary Hill: Installations, vidéos, » Centre d’art contemporain de Castres, Castres, France

Barbara Gladstone Gallery, New York, NY

White Cube, London, England

1995 “Gary Hill,” (Scandinavian touring exhibition organized by Riksutställningar, Stockholm, Sweden) Moderna Museet, Stockholm, Sweden; Museet for Samtidskunst, Oslo, Norway; Kunstforeningen, Copenhagen, Denmark; Helsingfors Konsthall, Helsinki, Finland; Bildmuseet, Urneå, Sweden; Jönköpings Läns Museum, Jönköping, Sweden; Göteborgs Konstmuseum, Göteborg, Sweden

Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA

Dia Center for the Arts, New York, NY

“Gary Hill: Remarks on Color,” Fundació “la Caixa,” Barcelona, Spain

1994

« Gary Hill, » (travelling exhibition organized by the Henry Art Gallery, Seattle, WA) Hirshhorn Museum and Sculpture Garden, Washington, DC; Henry Art Gallery, Seattle, WA; Museum of Contemporary Art, Chicago, IL; Museum of Contemporary Art, Los Angeles, CA; Guggenheim Museum SoHo, New York, NY; Kemper Museum of Contemporary Art and Design, Kansas City, MO

Musée d’art contemporain, Lyon, France

« Gary Hill: Selected Videotapes 1978-1990, » Art Gallery of Ontario, Toronto, Ontario, Canada

911 Media Arts Center, Seattle, WA

« Imagining the Brain Closer than the Eyes, » Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland

1993

Donald Young Gallery, Seattle, WA

London Film Festival, Museum of the Moving Image, London, England

« Gary Hill: In Light of the Other, » Museum of Modern Art, Oxford, England; Tate Gallery Liverpool, Liverpool, England

« Gary Hill: Sites Recited, » Long Beach Museum of Art, Long Beach, CA

1992

Japan 92 Video and Television Festival: « Prospectus for a TV Art Channel, » Spiral, Tokyo, Japan

« Gary Hill: I Believe It Is an Image, » WATARI-UM « “ The Watari Museum of Contemporary Art, Tokyo, Japan

Le Creux de L’Enfer, Centre d’art contemporain, Thiers, France

« Gary Hill, » (travelling exhibition organized by the Musée national d’art moderne, Centre Georges Pompidou, Paris, France) Musée national d’art moderne, Centre Georges Pompidou, Paris, France; IVAM Centre del Carme, Valencia, Spain; Stedelijk Museum, Amsterdam, The Netherlands; Künsthalle, Vienna, Austria

Establissements Phonographiques de l’Est, Paris, France Stedelijk Van Abbemuseum, Eindhoven, The Netherlands

1991

Galerie des Archives, Paris, France

OCO Espace d’art contemporain, Paris, France

1990

Galerie des Archives, Paris, France

« Gary Hill: Incidence of Catastrophe, » YYZ Artist’s Outlet, Toronto, Ontario, Canada

« OTHERWORDSANDIMAGES, » Video Galleriet, Huset, Denmark and Ny Carlsberg Glyptotek Museum, Copenhagen, Denmark

Museum of Modern Art, New York, NY

Moderna Museet, Stockholm, Sweden; Museum of Contemporary Art, Helsinki, Finland

1989

Musée d’art moderne, Villeneuve d’Ascq, France

Beursschouwburg, Brussels, Belgium

« Between the Silences: The Videoworks of Gary Hill, » Pacific Film Archive, University of California, Berkeley, CA

« Video im Kunstmuseum: Gary Hill, Seattle, » Städtisches Kunstmuseum, Bonn, Germany

« Gary Hill: La Rétrospective, » Vidéoformes 89: Festival de la Création Vidéo, Clermont-Ferrand, France

Kijkuis, The Hague, The Netherlands

1988

Western Front, Vancouver, British Columbia, Canada

Video Wochen, Basel, Switzerland

Espace lyonnais d’art contemporain (ELAC), Lyon, France

1987

Museum of Contemporary Art, Los Angeles, CA

Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA (screening)

Cornish College of the Arts, Seattle, WA

« An Evening with Gary Hill, » Northwest Film & Video Center, Oregon Art Institute, Portland, OR

1986

Port Washington Public Library, Port Washington, NY

Whitney Museum of American Art, New York, NY

« Meet the Makers/Video Vectors: Gary Hill, » Donnell Library, New York Public Library, New York, NY

« Mediaworks: Gary Hill, » Nexus Gallery, Philadelphia, PA

911 Contemporary Arts Center, Seattle, WA

1985

Video Gallery Scan, Tokyo, Japan

International House of Japan, Tokyo, Japan

American Center, Kyoto, Japan

American Center, Sapporo, Japan

American Center, Paris, France

Gary Hill/Stephen Kolpan Video Works, Byrdcliffe Barn, Woodstock, NY

911 Arts Center, Seattle, WA

1984

« Gary Hill: Selected Videography, » JISC Plaza Video and International Cultural Community Services, Tokyo, Japan

1983

Boston Film/Video Foundation, Boston, MA

Whitney Museum of American Art, New York, NY

International Cultural Center, Antwerp, Belgium

Center for Media Art, The American Center, Paris, France

MonteVideo, Amsterdam, The Netherlands

1982

« Gary Hill: Equal Time, » Long Beach Museum of Art, Long Beach, CA

Galerie H at ORF, Steirischer Herbst, Graz, Austria

1981

« Glass Onion, Installation for Video, Sound & Text: A Topological Mapping, » And/Or Gallery, Seattle, WA

Museum of Modern Art, New York, NY

Anthology Film Archives, New York, NY

The Kitchen Center for Video and Music, New York, NY

1980 « Video Viewpoints: Processual Video, » Museum of Modern Art, New York, NY

Media Study/Buffalo, Buffalo, NY

Image Dissector Screening Series, University of California at Los Angeles, Los Angeles, CA

1979

« Video by Videomakers 1979: Gary Hill, » Experimental Television Center, Binghamton, NY

Everson Museum, Syracuse, NY

« Meet the Makers: Gary Hill, » Donnell Library, New York, NY

The Kitchen Center for Music, Video and Dance, New York, NY

Pacific Film Archive, University of California, Berkeley, CA

Media Study/Buffalo, Buffalo, NY

1978

Rochester Memorial Art Gallery, Rochester, NY

Portable Channel, Rochester, NY

Arnolfini Art Center, Rhinebeck, NY

1977

Anthology Film Archives, New York, NY

1976 « Videotapes: Gary Hill, » Woodstock Artists’ Association, Woodstock, NY

Anthology Film Archives, New York, NY

1974

« Lila Marcus, Gary Hill, Donna Albright, » Artists’ Cooperative Gallery, Woodstock, NY

South Houston Gallery, New York, NY

1973

« Gary Hill: Constructions, » Woodstock Artists’ Association, Woodstock, NY

Allusion Gallery, New York, NY

1972 Gary Hill and Donna Albright, Polari Gallery, Woodstock, NY

1971 « Gary Hill: Painted Constructions, » Polari Gallery, Woodstock, NY

1968 El Jay Gallery, Los Angeles, CA

group exhibitions

2017

“En Marge,” In Situ/Fabienne Leclerc, Paris

“Museum of Walking Annex,” ASU Art Museum, Tempe

“Auto Vision: Media Art from Nam June Paik to Pipilotti Rist,” Kunstalle, Bremen

“Summer 2017: A preview of next season,” bitforms gallery, New York

“ANTIDORON – The EMST Collection,” Friericianum | Documenta 14, Kassel

“Radical Software: The Raindance Foundation, Media Ecology and Video Art, ZKM | Center for Art and Media, Karlsruhe

“Out of Sight 2017,” Seattle, Washington

“Delirious: Art at the Limits of Reason, 1950-1980,” The Metropolitan Museum of Art, New York, New York

“Sonic Arcade: Shaping Space with Sound,” Museum of Arts and Design, New York, New York

“The Model of the World International Exhibition,” Museum of Art, Zhangzhou, China

“COCA Legacy Exhibtion,” Center on Contemporary Art, Seattle, Washington

“Making– Printmaking and Expanded Cinema,” Chao Art Center, Beijing, China

“1st CHAO International Fine Art Print Fair,” Chao Art Center, Beijing, China

2016-17

“House of Impressions. Wandering with Troubadour,” The Pushkin State Museum of Fine Arts, Moscow, Russia

“COLLECTED BY THEA WESTREICH WAGNER AND ETHAN WAGNER,” Centre Georges Pompidou, Paris, France

“Unspoken Dialogues,” PSF 2016, Millennium Gallery, Lisbon, Portugal

“3rd Kochi-muziris Biennale,” Kochi-muziris, India

2016

“50JPG CAMÉRA (AUTO)CONTRÔLE,” Centre de la Photographie de Genève, Genèva, Switzerland

“NW New Works Festival, On the Boards, Seattle, Washington

“Seattle Art Fair | James Harris Gallery,” Seattle, Washington

“Signal to Code,” Johnson Museum of Art, Cornell University, Ithaca, New York

“Beijing Media Art Biennale,” Beijing, China

“Club Monster,” Asian Cultural Center, Gwangju, South Korea

“Electronic Superhighway (2016 – 1966),” Whitechapel Gallery, London, United Kingdom

2015

“COLLECTED BY THEA WESTREICH WAGNER AND ETHAN WAGNER,” Whitney Museum of American Art, New York, New York

“The Problem of God,” K21 Ständehaus, Düsseldorf, Germany

“dis-APPEARANCE [*3],” Westpol A.I.R. Space, Leipzig, Germany

Seattle Arts Fair, James Harris Gallery, Seattle, WA

"Creating Feelings,” Sixth Annual Hybrid Art Exhibition, Rossiya theatre, Moscow, Russia

“Future Present (Emanuel Hoffman Foundation/Contemporary Art from Classic Modernism to the Present Day),” Schaulager, Basel, Switzerland

“Haroon Mirza: HRM199LTD,” Museum Tinguely, Basel, Switzerland

“In Transit,” IVAM, Institut Valencià d’Art Modern, Valencià, Spain

“Bricology (The Mouse and the Parrot),” Villa Arson, Nice, France

“Traces: Festival des arts numeriqués,” Chartreuse de la Valbonne, Bagnols-sur-Cèze, France

“I Love Art 13 – 100 artists from the Watari-um Collection,” Watari-um Museum of Contemporary Art, Tokyo, Japan

“Shoot: About Performance,” DNA Gallery, Berlin, Germany

“A & B,” Gallery IHN, Seoul, South Korea

Dallas Medianale 2015 / The McKinney Avenue Contemporary, Dallas, TX

“Capture All,” Transmediale/Festival 2015, Berlin, Germany

“Construire une Collection,” Le Nouveau Musée National de Monaco, Monaco

“Fathoms,” Kik Five, Kino International, Berlin, Germany

2014

“30 Year – 30 Voices: A retrospective celebrating the 30th anniversary of Videonale Bonn,” Bonner Kunstverein, Bonn, Germany

“Bookish,” Corbett VS Dempsey, Chicago, Illinois

“Augment This (Meditations on the Image,” Cherry and Martin Gallery, Los Angeles, California

Festival International de la Imagen, Manizales, Colombia

Silicon Valley Contemporary Art Fair, San Jose, California

“The Invisible Force Behind,” Quadriennale Düsseldorf /IMAI-NRW-Forum, Düsseldorf

“The Embodied Vision: Performance for the Camera,” MUSEU NACIONAL DE ARTE CONTEMPORÂNEA DO CHIADO, Lisbon, Portugal

“Rewritten by Machine and New Technology,” University Art Gallery at Indiana State University, Terre Haute, Indiana

“The Vault (DeStilled Lives,” Spaces Gallery, Cleveland

2013

“SCHRIFTFILME: Schrift als Bild Bewegung (TYPEMOTION: Type as image in motion),” ZKM|Museum für Neue Kunst, Karlsruhe, Germany

“Beyond Belief/100 years of the spiritual in modern art,” Contemporary Jewish Museum, San Francisco, California

“Under the Influence: Artists and Psychoactive Drugs,” Maison Rouge Foundation, Paris, France

“Sanctuary for Reverse Engineering (R.E.S.),” (two-person show with Allan Packer), Exposition Grotte du Mas d’Azil, France

“Acts of Voicing,” The Total Museum of Contemporary Art, Seoul, Korea

“Word and Image,” Hood Museum of Art, Hanover, New Hampshire

“Faces: Gazes of a Hundred Years,” Centenary Exhibition of Ernst Museum, Budapest, Hungary

2012

“Active Presence: Action, Object and Public (Writing Corpora),” MARCO, Vigo, Spain

“Pop-Up. Veure és afegir,” The Fundació “la Caixa”, Barcelona, Spain

“Images Sonores,” Musée d’Art Moderne André Malraux (MuMa), Havre (Le), France

“Images Against Darkness,” Inter Media Art Institute, Düsseldorf, Germany

“Membra Disjecta for John Cage. Wanting to Say Something About John,” The Gallery of Fine Arts, Ostrava, Czech Republic and at freiraum quartier21 INTERNATIONAL, MuseumsQuartier Vienna, Austria

2011

“ Moving Types ” Gutenberg-Museum, Mainz, Germany 

“ Sound Spill ” West, Den Haag, The Netherland

« Gary Hill - Patrick Tosani  » Galerie Barbara Thumm, Berlin, Germany

« Everything Changes, » DNA Galerie, Berlin, Germany « Our Darkness, » Künstlerhaus Stuttgart, Germany

« Secret Journeys, from the EMST Collection, » ART-ATHINA (International Contemporary Art Fair of Athens), Athens, Greece

« New Contemporary Galleries « “ John Kaldor Family Collection, » Art Gallery of New South Wales, Sydney, Australia

« Undeniably Me, » Galerie Rudolfinum, Prague, Czech Republic

« Déjà » Musée d’art contemporain de Montréal, Québec, Canada

« Kunstmuseum Wolfsburg at The Hunter Museum, » The Hunter Museum of American Art, Chattanooga, TN

« Expanded Cinema, » MMOMA (Moscow Museum of Modern Art), Moscow, Russia

Aka Renga/Red Brick House, Yokohama, Japan

« Habiter la Terre: Du Battement de Cœur à l’Emportement du Monde, » La Biennale internationale d’art contemporain, Ville de Melle, France

« The View from a Volcano: The Kitchen’s Soho Years, 1971 « “ 1985, » The Kitchen, New York, NY

« Tribute to the Experimental Television Center, » Anthology Film Archives, New York

2010

« CUE: Artists’ Video, » Vancouver Art Gallery, Vancouver, BC, Canada

« The Contemporary Figure, » Donald Young Gallery, Chicago, IL

« Paying a Visit to Mary, » The Aldrich Contemporary Art Museum, Aldrich, CT

Oslo Screen Festival 2010, Filmens Hus, Oslo, Norway

« Mulberry Tree Press, » SE8 Gallery, London, England

« DreamTime 2 / Fantasmagoria, » La Grotte du Mas d’Azil, Le Mas-d’Azil, France

« SWELL: Art 1950 - 2010, » Friedrich Petzel Gallery, New York, NY

« From Picasso to Gary Hill, » MAC Museu de Arte Contemporânea Centro Dragão do Mar de Arte e Cultura, Fortaleza, Ceará, Brazil

« Short Shorts, » Electronic Arts Intermix (EAI), New York, NY

« Surface / Ground, » Young Projects, West Hollywood, CA

« TV/ARTS/TV, » Arts Santa Monica, Barcelona, Spain

Festival Temps d’Images, Museu do Chiado « “ Museu Nacional do Arte Contemporâne, Lisbon, Portugal

« America « “ it’s also our history!, » organized by Museum of Europe / Tempora, Tours & Taxis, Brussels, Belgium

« Les Projections du LaM, » LaM « “ Lille Métropole musée d’art moderne, d’art contemporain et d’art brut, Villeneuve d’Ascq, France

« The Frustration of Expression, » The Center for Photography at Woodstock, New York

« IRIS. The Invention of Color from 1600 to Today [IRIS. Die Erfindung der Farben von 1600 bis Heute: Farbe in der Zeitgenössischen Kunst], » Neuer Kunstverein Giessen, Germany

« LANGUAGE, » VIVID, Birmingham, England

TONSPUR_expanded III, MuseumsQuartier, Vienna, Austria

« 2010 Winter Salon - In Synthesis, » Björn Ressle Art Projects Inc., New York, NY

2009

« Holbein to Tillmans, Prominent Guests from the Kunstmuseum Basel, » Schaulager / Laurenz Foundation, Basel Switzerland

« Talking Tongues and Other Organs, » Kleinert James Arts Center, Woodstock, NY

« Against the Grain: 15 Years of Collecting, » Kunstmuseum Wolfsburg, Wolfsburg, Germany

« Private Universes, » Dallas Museum of Art, Dallas, TX

Art 40 Basel / Donald Young Gallery, Basel, Switzerland

« Vital Signals: Japanese + American Video Art from the 1960s and 70s, » touring EAI (Electronic Arts Intermix, NY) video program

« The Estrangement of Judgement, » Jensen Gallery, Auckland, New Zealand

« 5th VentoSul Biennial, » Instituto Paranaense de Arte, Curitiba, Brazil

« Faux Jumeaux, » S.M.A.K., Gent, Belgium

« Videnie, » PERMM Museum of Contemporary Art, Perm, Russia

« See This Sound: Promises in Sound and Vision, » Lentos Art Museum, Linz, Austria

« Vortexhibition Polyphonica, » Henry Art Gallery, University of Washington, Seattle, WA

« IMAI on Screen: Voice Windows, » Art House Cinema Bambi, Dusseldorf, Germany

2008

« The Cinema Effect: Illusion, Reality, and the Moving Image, Part I: Dreams, » The Hirshhorn Museum and Sculpture Garden, Washington, DC

« Die Lucky Bush, » The Museum of Contemporary Art Antwerp (MuHKA), Antwerp, Belgium

Art 39 Basel / Donald Young Gallery, Basel, Switzerland

« On Time, » video program in conjunction with the exhibition, « Synthetic Times « “ Media Art China 2008, » The National Art Museum of China (NAMOC), Beijing, China

« Sensory Overload: Light, Motion, Sound and Optical Art since 1945, » Milwaukee Art Museum, Milwaukee, WI

« Art & Tech « “ Wondering, » Art Taipei 2008, Taipei, Taiwan

« Don’t You F***IN’ Look At Me! Surveillance in the 21st Century, » 911 Media Arts, Seattle, WA

« Flight Dreams, » Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada; Art Gallery of Nova Scotia Western Branch, Yarmouth, Canada, 2009

« The 2008 Centre Georges Pompidou Exhibition: « ˜Heaven for Artists’, » Seoul Museum of Art (SeMA), Seoul, Korea

Art Basel Miami Beach / Donald Young Gallery, Miami Beach, FL

2007

« On History, » Fundación Santander Central Hispano, Madrid, Spain

« Space: Places of Art, » Akademie der Künste, Berlin, Germany

The ADAA Art Show / Donald Young Gallery, New York, NY

2nd Moscow Biennale of Contemporary Art, Moscow, Russia

« Hear With Your Eyes: Collection of Contemporary Art Fundacion « ˜la Caixa’, » CaixaForum, Barcelona, Spain

« Digital Aesthetic 2, » Harris Museum and Art Gallery, Preston, England

« The Screen Eye or the New Image: 100 Videos to rethink the world, » Casino Luxembourg « “ Forum d’art Contemporain, Luxembourg; MNAC / The National Museum of Contemporary Art, Bucharest, Romania

« SCHMERZ (Pain), » Hamburger Bahnhof « “ Museum für Gegenwart, Berlin, Germany

« Scenes and Traces « “ From the Collection: Design, Photography and Video, » Stedelijk Museum Amsterdam, The Netherlands

« De l’Écriture, » Musée d’art contemporain de Montréal, Quebec, Canada

Seattle Art Museum, Seattle, WA

« Pourtraire, » Ecole des Beaux-Arts de Rennes, Rennes, France

« Du Sonore et du Visual, 2, » In Situ / Fabienne Leclerc, Paris, France

« Her(his)tory, » Museum of Cycladic Art, Athens, Greece

Zero Field, Beijing, China (exhibition organized by Institute of Electronic Arts, Alfred University, Alfred, NY)

« Mouth Open, Teeth Showing: Major Works from the True Collection, » Henry Art Gallery, University of Washington, Seattle, WA

« Surrèalités, » CentrePasquArt, Kunsthaus Centre d’art, Biel, Switzerland

« Windows / Interface, » Kemper Art Museum, Washington University, St. Louis, MO

« Out There, » Art Students League of New York, New York, NY

« Video Trajectories: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust, » MIT List Visual Arts Center, Cambridge, MA

« Passage du Temps: une sélection d’oeuvres de la Francois Pinault Foundation, » Tri Postal, Lille, France

« Analogue & Digital, » Fieldgate Gallery, London, England

Art Basel Miami Beach / Donald Young Gallery, Miami, FL

« Storytelling, » screening for Art Video Lounge (curated by Michael Darling / SAM), Art Basel Miami Beach, FL

2006

« Photography, Film, Video: Reconstruction Reality. Diane Arbus, Stan Douglas, Gary Hill, Mike Kelley, and Andy Warhol, » PaceWildenstein, New York, NY

« Kairotic, » The Townhouse Gallery of Contemporary Art, Cairo, Egypt

« Des oeuvres majeures de la Collection du Musée, » Musée d’art contemporain de Montréal, Quebec, Canada

Consolidated Works, Seattle, WA

The Armory Show / Donald Young Gallery, New York, NY

« Sip My Ocean, » Louisiana Museum of Modern Art, Humlebaek, Denmark

« UBS Openings: Tate Modern Collection, » Tate Modern, London, England

« Continuum: Biennale d’art contemporain du Havre, » Musée Malraux, Le Havre, France

« Signal Channel, » Bemis Center for Contemporary Art, Omaha, NE

« The Expanded Eye, » Kunsthaus Zurich, Zurich, Switzerland

« Stories, » Santa Fe Art Institute, Santa Fe, NM

« The Grand Promenade, » EMST « National Museum of Contemporary Art, Athens, Greece

« Space, Time and the Viewer: Installations and New Media in the IVAM Collection, » IVAM (Institut Valencia d’Art Modern), Valencia, Spain

« Beyond Cinema: The Art of Projection, » Hamburger Bahnhof « Museum für Gegenwart, Berlin, Germany

« D’Ombra [The Shadow], » Palazzo delle Papesse Centro arte Contemporanea, Siena, Italy; MAN, Museo d’Arte della Provincia di Nuovo, Italy; Compton Verney, Warwickshire, England

« Dieux, mode d’emploi. L’expérience religieuse aujourd’hui, » Musée de l’Europe, Brussels, Belgium; Centro Cultural de la Villa, Madrid, Spain (as « Dios(es), Modos de empleo »)

« Primera generación: Arte e imagen en movimiento (1963 - 1986) » Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

« 18: Beckett, » Blackwood Gallery, University of Toronto at Mississauga, Ontario, Canada; Walter Phillips Gallery at The Banff Centre for the Arts, Banff, Alberta, Canada

« Os Anos 80s, » Museu de Serralves, Porto, Portugal

« Wrestle, » Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

« Tuttolibri, » Galleria Milano, Milan, Italy

2005

« S1 / salon 2005 » S1 Artspace, Sheffield, England

34th International Film Festival Rotterdam, The Netherlands

« Logical Conclusions: 40 Years of Rule-Based Art, » PaceWildenstein, New York, NY

« Videoformes 2005: XXth Manifestation Internationale d’Art Vidéo et Médias » Galerie de l’art du temps, Clermont-Ferrand, France

« L’oeil-moteur: Art optique et art cinétique, 1950 -1975, » Musée d’art Moderne et contemporain de Strasbourg, France

« Interventionen: Stadt-Raum-Kirche » Alte Neuendorfer Kirche, Potsdam-Babelsberg, Germany

« River Styx, » Western Bridge, Seattle, WA « Bilanz in zwei Akten, Collection Niedersächsischen Sparkassenstiftung » Kunstverein Hannover, Germany

« Big Bang, Destruction and Creation in the Art of the 20th Century » Musée National d’art Moderne, Centre Pompidou, Paris, France

« Praying for Silence, » Kunstverein Ludwigsburg, Germany

« Videographies « “ The Early Decades, » EMST National Museum of Contemporary Art, Athens, Greece

« Take Two. Worlds and Views: Contemporary Art from the Collection, » Museum of Modern Art, New York, NY

« Video, An Art, A History 1965 - 2005 New Media Collection, Centre Pompidou » CaixaForum, Barcelona, Spain; Taipei Fine Arts Museum, Taipei, Taiwan, 2006; MAC (Miami Art Central), Miami, FL; Museum of Contemporary Art, Sydney, Australia; ACMI (Australian Centre for the Moving Image), Melbourne, Australia

« GUARDAMI: Percezioni del video, » Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy

Frieze Art Fair / Donald Young Gallery, London, England

« re:currents, » Fosdick Nelson Gallery, School of Art and Design, Alfred University, Alfred, NY

« Woman of Many Faces: Isabelle Huppert, » P.S. 1 Contemporary Art Center, Long Island City, NY; Couvent des Cordeliers, Paris, France

« Outer Ear Festival of Sound, » Experimental Sound Studio, Chicago, IL (screenings)

Art Basel Miami Beach / Donald Young Gallery, Miami, FL

2004

« Treasure Island: 10 Years Collection Kunstmuseum Wolfsburg, » Kunstmuseum Wolfsburg, Wolfsburg, Germany

La Casa Encendida, Madrid, Spain (screenings)

« Text and Image: Conversations, » Museum of Contemporary Photography, Columbia College, Chicago, IL

« Point of View: An Anthology of the Moving Image, » New Museum of Contemporary Art, New York, NY; Armand Hammer Museum of Art, Los Angeles, CA

« Between Above and Below, » The Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

« Art by MacArthur Fellows, » Carl Solway Gallery, Cincinnati, OH

« Etant donné: l’hors, » Festival at Théâtre Garonne, Toulouse, France (screenings)

« Behind Closed Doors, » Katonah Museum of Art, Katonah, NY

« Panorama 5: « ˜jamais vu,' » Le Fresnoy Studio national des arts contemporains, Tourcoing, France

Art Unlimited / Art 35 Basel, Basel, Switzerland

« Works and Days: Acquisitions for the Louisiana Collection 2000 - 2004, » Louisiana Museum of Modern Art, Humlebaek, Denmark

« Transmit + Transform, » Santa Fe Art Institute, Santa FE, NM

« Trans-Culture, » National Museum of Contemporary Art (EMST), Athens, Greece

« Tune (In))) Santa Fe, » Santa Fe Art Institute, Santa Fe, NM (screenings)

« Sons et Lumières, Une Histoire du son dans l’art du XXe Siècle, » Centre Georges Pompidou, Paris, France

« W.O.W. (The Work of the Work), » Henry Art Gallery, University of Washington, and Western Bridge, Seattle, WA

« Les enfants terribles, le langage de l’enfance dans l’art 1909 « “ 2004, » Museo Cantonale d’Arte, Lugano, Switzerland

« Vidéo et Après, » Musée national d’art moderne « “ Centre Georges Pompidou, Paris, France (screenings)

« Perspectives @ 25, » Contemporary Arts Museum Houston, Houston, TX

« Contrepoint, l’art contemporain au Louvre, » Musée du Louvre, Paris, France

2003

« Body Matters, » The National Museum of Contemporary Art, Oslo, Norway

« Surf Culture: The Art History of Surfing, » The Contemporary Museum, Honolulu, HI

« Rodney Graham, Gary Hill, Joshua Mosley, » Donald Young Gallery, Chicago, IL

« Zero Visibility « “ Exhibition and Festival of Electronic and Multi-media Arts, » Colonna Castle, Genazzano, Italy

Butler Institute of American Art, Youngstown, OH

« Open the Curtain, » Kunsthalle zu Kiel, Germany

« Yanomami: l’esprit de la forêt, » Fondation Cartier pour l’art contemporain, Paris, France; Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil

« Standby: No Technical Difficulties, » (organized by Museum of Modern Art, New York and Pacific Film Archive) Gramercy Theatre, New York, NY

« OUTLOOK: International Art Exhibition, Athens 2003, » Athens, Greece

« Skin-deep: Il Corpo come luogo del segno artistico, » MART: Il Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Italy

« Hypnose, » Les Laboratoires d’Aubervilliers, France

2002

« New Frontiers, » Art Association, Jackson Hole, WY

« Stepping Back, Moving Forward: Human Interaction in an Interactive Age, » Pittsburgh Center for the Arts, Pittsburgh, PA

Factory at the Art School of Athens, Athens, Greece

« C’est pas due Cinema, » Le Fresnoy Studio national des arts contemporains, Tourcoing, France

« The Uncanny: Experiments in Cyborg Culture, » Vancouver Art Gallery, Vancouver, British Columbia, Canada; Edmonton Art Gallery, Edmonton, Alberta, Canada; Mendel Art Gallery, Saskatoon, Saskatchewan, Canada

« Visitors, » Konsthallen Bohusläns, Uddevalla, Sweden

« Acquisitions 2001 « “ Part 1: Photographs, Video-Installations, Video, » EMST National Museum of Contemporary Art, Athens, Greece

« Say Hello to Peace and Tranquility, » Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam, The Netherlands; at Nicolaj Center for Contemporary Art, Copenhagen, Denmark; hARTware, Dortmund, Germany

« Outer and Inner Space: A Video Exhibition in Three Parts, » The Virginia Museum of Fine Arts, Richmond, VA

« Sahte / Gerçek (Faux/Real), » Borusan Art Gallery, Istanbul, Turkey

« Self-Portraits from the collection of Bill and Ruth True, » The Wright Exhibition Space, Seattle, WA

Donald Young Gallery, Chicago, IL

« Regarding Landscape, » The Museum of Contemporary Canadian Art, Toronto, Canada; Saidye Bronfman Centre for the Arts, Montreal, Canada

« confiture demain et confiture hier. Mais jamais confiture aujourd’hui » Association Nouvelle Vague, Centre Regional d’art Contemporain, Sete, France

« Remarks on Color, » Sean Kelly Gallery, New York, NY

« Multiples objets de désir, » Musée des Beaux-Arts de Nantes, France

« Ommegang-Circumflexion, » Brugge 2002, Roeselare, Belgium

« The Pleasure of Language, » The Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam, The Netherlands

« Sans commune mesure, » Centre Nationale de la Photographie (CNP), Paris; Le Fresnoy Studio national des arts contemporains, Tourcoing; Musée d’art moderne de Lille Métropole, Villeneuve d’Asq, France

« Les Enfants du Paradis, » Galerie Yvon Lambert, Paris, France

« Maquis, » Le Plateau, Fonds Régional d’art Contemporain (FRAC) d’Ile-de-France, Paris, France

« Body Electric: Video Art and the Human Body, » Cheekwood Museum of Art, Nashville, TN

« Plus qu’une image / Nuit Blanche, » (organized by Caroline Bourgeois) 5, rue Curial, Paris, France

« Aubes, rêveries au bord de Victor Hugo, »La Maison de Victor Hugo, Paris, France

« Vidéo Topiques: Tours et retours de l’art vidéo, » Musée d’Art Moderne et Contemporain, Strasbourg, France

« Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust, » P.S. 1 Contemporary Art Center, New York, NY

« Future Cinema, » ZKM / Center for Art and Media, Karlsruhe, Germany; Museum of Contemporary Art Kiasma, Helsinki, Finland; ICC (NTT InterCommunication Center), Tokyo, Japan

« Gary Hill / Bruce Nauman: Moving Images, Changing Identities, » National Gallery of Australia, Canberra, Australia

2001

Donald Young Gallery, Chicago, IL

The Armory Show / Donald Young Gallery, New York, NY

« I’ll Never Let You Go, » organized by Panacea Festivals / Siemens Kulturprogramm, Stockholm, Sweden

« 2001 Annual Exhibition, » American Academy in Rome, Rome, Italy

49. International Art Exhibition, La Biennale di Venezia, Venice, Italy

Art 32 Basel / Donald Young Gallery, Basel, Switzerland

« Black Box « “ The Dark Room in Art, » Kunstmuseum Bern, Switzerland

« Media Connection, » Palazzo delle Esposizioni, Rome, Italy; Palazzo della Triennale, Milan, Italy; Castel S. Elmo, Naples, Italy

« Space Odysseys: Sensation and Immersion in Contemporary Art, » Art Gallery of New South Wales, Sydney, Australia; Australian Centre for the Moving Image (Cinemedia), Melbourne, Australia (with the title « Deep Space: Sensation and Immersion »

« Lateral Thinking: Art of the 1990’s, » Museum of Contemporary Art, San Diego, CA; Colorado Springs Fine Art Center, Colorado Springs, CO; Hood Museum, Dartmouth University, Hanover, New Hampshire; Dayton Art Institute, Dayton, OH

« Hands » Israel Museum, Jerusalem, Israel

« Into the Light: The Projected Image in American Art 1964 - 1977, » Whitney Museum of American Art, New York, NY; Cleveland Museum of Art, Cleveland, OH

« Fast Forward: Contemporary Videos by Gary Hill, Mary Lucier, and Michael Snow, » as part of « The 59th Minute Art Project: Video Art on the Times Square Astrovision Billboard, » Times Square, New York, NY

2000

« The Cool World: Film & Video in America 1950 - 2000, Part 2: The Unfixed Image, 1970 - 2000, » Whitney Museum of American Art, New York, NY

The Armory Show / Donald Young Gallery, New York, NY

« Moving Pictures, » Real Art Ways (RAW), Hartford, CT

« Making Time: Considering Time as a Material in Contemporary Video & Film, » Palm Beach Institute of Contemporary Art, Lake Worth, FL; UCLA Hammer Museum, Los Angeles, CA

« Re: soundings, » Film Video Series at Pratt, Pratt Institute of Art and Design, Brooklyn, NY

« The Anagrammatical Body: The Body and Its Photographic Condition » ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany

« L’Empire du Temps, » Musée du Louvre, Paris, France

« Sound Video Film, » Donald Young Gallery, Chicago, IL

« Between Cinema and a Hard Place, » Tate Modern, London, England

« Surf Trip: Surf Culture Art and Artifacts, » Yerba Buena Center for the Arts, San Francisco, CA

« Vision Ruhr » Westfählisches Industriemuseum, Dortmund, Germany

12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia

« 2000 1/2: Going Forward Looking Back, » Seattle Art Museum, Seattle, WA

Art 31 Basel / Donald Young Gallery, Basel, Switzerland

« Language Let Loose, » Seattle Art Museum, Seattle, WA

« media art 2000: escape, » media_city seoul 2000, Seoul Metropolitan Museum, Seoul, Korea

« BOOK/ENDS WIRED: Electronic Media at the Arts Center, » Capital Region Arts Center, Troy, NY

Galerie Jamileh Weber, Zurich, Switzerland

« Video Time, » The Museum of Modern Art, New York, NY

« Vies Parallèles, » Ecole Régionale des Beaux-Arts de Rouen, Rouen, France

« Double Feature: Nick Crowe and Gary Hill, » San Francisco Museum of Modern Art, San Francisco, CA

« media(tion); fragmentation and acceleration » Center for Photography at Woodstock, Woodstock, NY

« Voici » Palais des Beaux-Arts, Brussels, Belgium

« 46th Biennial Exhibition: Media/Metaphor, » The Corcoran Gallery of Art, Washington, DC

1999

TV Gallery, Moscow, Russia

« Passage, » WATARI-UM « “ The Watari Museum of Contemporary Art, Tokyo, Japan

The Armory Show / Donald Young Gallery, New York, NY

Art Chicago / Donald Young Gallery, Chicago, IL

« Passage a l’art: des lieux et des choses, » Forum Culturel du Blanc-Mesnil, Le Blanc-Mesnil, France

« The Liquid Medium: Video Art, » Queensland Art Gallery, Brisbane, Queensland, Australia

« Umedalen Skulptur 99, » organized by Galleri Stefan Andersson, UmeÃ¥, Sweden

« The Hand, » The Power Plant, Toronto, Ontario, Canada

« Transmute, » Museum of Contemporary Art, Chicago, IL

« Searchlight: Consciousness at the Millenium, » CCAC (California College of Arts and Crafts) Institute, San Francisco, CA

« Romancing the Brain » Pittsburgh Center for the Arts, Pittsburgh, PA

« Re-Structure, » Grinnell College Art Gallery, Grinnell, IA

« The American Century: Art & Culture, Part II 1950-2000, » The Whitney Museum of American Art, New York, NY

« Warten, » Kunst-Werke Berlin, Berlin, Germany

« MoMA 2000, » Museum of Modern Art, New York, NY

« Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, » San Francisco Museum of Art, San Francisco, CA; ZKM / Center for Art and Media, Karlsruhe, Germany

« Dreams 1900-2000: Science, Art, and the Unconscious Mind, » (travelling exhibition organized by the Binghamton University Art Museum, Binghamton, NY) Equitable Art Gallery, New York, NY; Historisches Museum der Stadt Wien, Vienna, Austria; Binghamton University Art Museum, Binghamton, NY; Passage de Retz, Paris, France

« Rewind to the Future, » Bonner Kunstverein, Bonn, Germany

1998

« Art Vidéo: catastrophe et nativité, » Musée Royal de Mariemont, Mariemont, France

« Tuning up #5, » Kunstmuseum Wolfsburg, Wolfsburg, Germany

« Video Library, » David Zwirner Gallery, New York, NY

Art Chicago / Donald Young Gallery, Chicago, IL

« El Cuerpo del Delito, » Museo Nacional de Bellas Artes, Buenos Aires, Argentina

« Made in Corpus, » Odyssud, Blagnac, France

« Anos 80, » Culturgest « “ Gestão de Espaços Culturais, Lisbon, Portugal

« Crossings, » Kunsthalle Wien, Austria, and Galerie Rudolfinum, Prague, Czech Republic

« Voices, » Witte de With, Rotterdam, The Netherlands; Fundació Joan Miro, Barcelona, Spain; Le Fresnoy, Studio national des arts contemporains, Tourcoing, France

Art 29 Basel / Donald Young Gallery, Basel, Switzerland

« Personal Effects: The Collective Unconscious, » Museum of Contemporary Art, Sydney, Australia

3rd Werkleitz Biennial: sub fiction, Werkleitz, Germany

« Blickwechsel, » ZKM, Karlsruhe, Germany

« Surrogate: The Figure in Contemporary Sculpture and Photography, » Henry Art Gallery, Seattle, WA

« Video Arte, » Palacio de Osambela, Lima, Peru

« send + receive festival of sound: entering vibrations in the air, » University of Winnipeg, Manitoba, Canada

« Mediated Presence, » Itau Cultural, Belo Horizonte, Brazil

« Silent Treatment, » Aspen Art Museum, Aspen, CO

1997

« The Digital Video Wall, » Museum of Modern Art, New York, NY

« Inside, » Henry Art Gallery, University of Washington, Seattle, WA

« Citta’ Natura: mostra internazionale di arte contemporanea, » Palazzo delle Esposizioni, Rome, Italy

« The Twentieth Century: The Age of Modern Art, » Martin-Gropius-Bau, Berlin, Germany; Royal Academy of Arts, London, England

« Amours » Fondation Cartier pour l’art contemporain, Paris, France

Art 28 Basel / Donald Young Gallery, Basel, Switzerland

« Angel, Angel, » Kunsthalle Wien, Vienna, Austria; Galerie Rudolfinum, Prague, Czech Republic

« Unimplosive Art: Toward New Classical Trends, » Venice Biennale, Venice, Italy

4th biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France

’97 Kwangju Biennale: « Unmapping the Earth, » Kwangju, Korea

« The Objects in Hangar 2, » Seattle Arts Commission, Building 2 at the former Sand Point Naval Base, Seattle, WA

« Human References: Marks of the Artist: A Ten Year Retrospective Exhibition of the Seattle Artists’ Program Collection, » Seattle Arts Commission, Seattle Center Pavilion, Seattle, WA

« Water: The Renewable Metaphor, » Museum of Art, University of Oregon, Eugene, OR

« Surveying the First Decade: Video Art and Alternative Media in the United States, » San Francisco Museum of Modern Art, San Francisco, CA

« Grand Opening, » Montevideo/TBA, Amsterdam, The Netherlands

« Europe « “ U.S.A. « “ A Comparison of 68 Artists, » Organized by the Government of Sicily, Cefalù, Italy

1996

« One and Others: Photography and Video by Juan Downey, Angela Grauerholz, Gary Hill, Alfredo Jaar, Annette Messager, » Galerie Lelong, New York, NY

« Of Sound Mind: Language and Disorder, » New Langton Arts, San Francisco, CA

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

« Museum Barrytown, » Stained Glass Studio, Barrytown, NY

« NowHere, » Louisiana Museum of Modern Art, Humlebaek, Denmark

Kunstmuseum Wolfsburg, Wolfsburg, Germany

« Foreign Bodies, » Museum für Gegenwartskunst, Basel, Switzerland

« Le Printemps de Cahors: Photographie & Arts Visuels, » Cahors, France

Portalen Contemporary Art Center, Greve, Denmark

« Moderna Museet Stockholm, » Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany

« From Ex-Libris to Home Page, » Paço das Artes, Sao Paolo, Brazil

« Sonambiente, » Akademie der Kunste, Berlin, Germany

« The Last Supper, » Donald Young Gallery, Seattle, WA

« Being and Time: The Emergence of Video Projection, » (travelling exhibition organized by the Albright-Knox Art Gallery, Buffalo, NY) Albright-Knox Art Gallery, Buffalo, NY; Cranbrook Art Museum, Bloomfield Hills, MI; Portland Art Museum, Portland, OR; Contemporary Arts Museum, Houston, TX; Site Santa Fe, Santa Fe, NM

« The Red Gate, » Museum Van Hedendaagse Kunst Gent, Ghent, Belgium

« Video Collection of the Pompidou Center, » Cinéma Rex, Belgrade, Yugoslavia

« Microwave Video Festival « “ City Images. The First International Video Festival, » Videotage, Hong Kong

« Continuity & Contradiction, A New Look at the Permanent Collection from the Museum of Contemporary Art, San Diego, » Miami Art Museum, Miami, FL

1995

« Private/Public: ARS « ˜95 Helsinki, » Museum of Contemporary Art, Helsinki, Finland

« Pour un couteau, » Le Creux de l’Enfer, Le Centre d’art contemporain, Thiers, France

Pacific Film Archive, Berkeley, CA

« Altered States: American Art in the 90’s, » Forum for Contemporary Art, St. Louis, MO

« Immagini in Prospettive, » Cinema « Verdi, » Serre de Rapolano, Italy

Art Chicago / Donald Young Gallery, Chicago, IL

« MultiMediale 4, » ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany

« Identiti e Alteriti  » Venice Biennale, Venice, Italy

« Video Spaces: Eight Installations, » Museum of Modern Art, New York, NY

« Sound Sculpture « Music for the Eye » Ludwig Museum im Deutschherrenhaus, Koblenz, Germany

« Longing and Belonging: From the Faraway Nearby, » Site Santa Fe, Santa Fe, NM

« feux terrestres, » Centre Régional d’Art Contemporain, Montbéliard, France

« The Decade Between: American Video Art, 1978 - 1988: Fighting Words: Works by Juan Downey, Gary Hill, and Peter Rose, » Pacific Film Archive, University of California, Berkeley, CA

Sedicesima Biennale Internazionale del Bronzetto Piccola Scultura Padova, Padua, Italy

6e Semaine Internationale de Vidéo, Saint-Gervais Genève, Geneva, Switzerland

Carnegie International, Carnegie Museum of Art, Pittsburgh, PA

10ème festival video de Gentilly et du Val-de-Marne, Gentilly, France

3rd Biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France

1994

« Beeld/Beeld, » Museum van Hedendaagse Kunst, Ghent, Belgium

« Múltiplas Dimensões, » Centro Cultural de Belém, Lisbon, Portugal

« Intelligent Ambience, » Ars Electronica ’94: Festival fur Kunst, Technologie und Gesellschaft; Long Beach Museum of Art, Long Beach, CA

« Video Art ’94: Nature in Motion, » Mánes, Prague, Czech Republic

Bienal Internacionale de São Paulo, São Paulo, Brazil

« Facts and Figures: Selections from the Lannan Foundation Collection, » Lannan Foundation, Los Angeles, CA

« Dekonstruktion Video « “ 11. Kasseler Dokumentarfilm & Videofestivals, » Kassel, Germany

« Light Into Art: From Video to Virtual Reality, » Contemporary Arts Center, Cincinnati, OH

« Cocido y Crudo, » Museo Nacionale Centro de Arte Reina Sofia, Madrid, Spain

« Heart of Darkness, » Kröller-Möller Museum, Otterlo, The Netherlands

1993

Whitney Biennial, Whitney Museum of American Art, New York, NY

« Between World and Image, » Museum of Modern Art, New York, NY

« The 21st Century: Into the Future with Paracelsus, » Kunsthalle Basel, Basel, Switzerland

« Passageworks, » Rooseum, Malmö, Sweden

« American Art in the 20th Century, Painting and Sculpture 1913-1993, » Martin-Gropius-Bau, Berlin, Germany; Royal Academy of Arts and the Saatchi Gallery, London, England

« Frames, » Ydessa Hendeles Art Foundation, Toronto, Ontario, Canada

« Video to Expand Your Mind, » Dayton Visual Arts Center, Dayton, OH

« Video Time Shifts, » Forum for Contemporary Art, St. Louis, MO

« 16 Dagar, » Nylistasafnid, The Living Art Museum, Reykjavik, Iceland

« Gary Hill, Between Cinema and a Hard Place, and recent works by Lewis Baltz, Jac Leirner, and Glenn Ligon, » The Bohen Foundation, New York, NY

« 1993 Whitney Biennial in Seoul, » National Museum of Contemporary Art, Seoul, Korea

Fifth Fukui International Video Biennal, Fukui, Japan

« Summer Sunset Theater, » Hiroshima City Museum of Contemporary Art, Hiroshima, Japan

« Anonymity and Identity, » Anderson Gallery, Virginia Commonwealth University, Richmond, VA; The Art Gallery, University of Maryland, College Park, MD

« strange HOTEL, » Aarhus Kuntsmuseum, Aarhus, Denmark

37th London Film Festival, London, England

ForumBHZvideo, Festival Internacional de Video, Belo Horizonte, Minas Gerais, Brazil

Centro Cultural Arte Contemporaneo, Mexico City, Mexico

1992

Donald Young Gallery, Seattle, WA

« Les Rencontres en Direct, » American Center, Paris, France

« Japan: Outside/Inside/Inbetween, » Artists Space, New York, NY

« Dance, » California Museum of Photography, Riverside, CA

« Doubletake: Collective Memory and Current Art, » Hayward Gallery, London, England; Kunsthalle Wien, Vienna, Austria

« C’est pas la fin du monde « “ une exposition des années 80, » Galerie Art et Essai De l’Université de Rennes 2, Rennes, France; La Criée, Halle d’Art Contemporain, Rennes, France; Galerie de T.N.B., Rennes, France

« Documenta IX, » Museum Fridericianum, Kassel, Germany

« Night of Electricity, » Nighttown, Rotterdam, The Netherlands

« Filmladen Videokunstfest, » Kassel, Germany; Botschaft Festival, Berlin, Germany; Hinterhaus, Wiesbaden, Germany

« The Binary Era: New Interactions, » Musée d’Ixelles, Brussels, Belgium; Kunsthalle Wien, Vienna, Austria

« Art at the Armory: Occupied Territory, » Museum of Contemporary Art, Chicago, IL

« Métamorphoses, » St. Gervais-Genève, Geneva, Switzerland

« Day Without Art 1992, » Museum of Contemporary Art, Los Angeles, CA

1991

« Selections from the Circulating Library, » Museum of Modern Art, New York, NY

« Currents, » Institute of Contemporary Art, Boston, MA

« The Body (2), » The Renaissance Society at the University of Chicago, Chicago, IL

Whitney Biennial, Whitney Museum of American Art, New York, NY

« International Art Exhibition Berlin 1991: Metropolis, » Martin-Gropius-Bau, Berlin, Germany

« Impakt: Festival voor Experimentele Kunst, » Utrecht, The Netherlands

« In Public: 1991: Artists from Seattle, » Seattle Art Museum, Seattle, WA

« In Public: Seattle, 1991, » Security Pacific Gallery, Seattle, WA

« Fighting Words: Language and Perception: Works by Scott Rankin, Gary Hill, and Peter Rose, » Pacific Film Archive, University of California, Berkeley, CA

« Do Video, da Arte et da Tecnologia, » Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil

« Topographie 2: Untergrund, » Wiener Festwochen, Vienna, Austria

« The Body, » Grazer Kunstverein, Graz, Austria

ARTEC ’91 Second International Biennale, Nagoya, Japan

« Glass: Material in the Service of Meaning, » Tacoma Art Museum, Tacoma, WA

« Performing Objects, » Institute of Contemporary Art, Boston, MA

1990

« Maison des Arts et Loisirs, » Thonon and « Maison de la Culture, » Chambéry, France

« Feature Length Video, » 911 Contemporary Arts Center, Seattle, WA

« Tendances multiples: Vidéos des Annees 80, » Musée national d’art moderne, Centre Georges Pompidou, Paris, France

« Scan 90 Videoart Spring Festival, » Heineken Village Gallery, Tokyo, Japan

« The Videotheque, » Center for Contemporary Arts of Santa Fe, Santa Fe, NM

« Video la nuit, » Maison pour tous, Annemasse, France

« 1990 «  Energies: An Exhibition of Fifteen International Artists, » Stedelijk Museum, Amsterdam, The Netherlands

« Vidéoformes 90: Festival de la Creation Vidéo, » Clermont-Ferrand, France

« Athens International Film and Video Festival, » Ohio University, Athens, OH

« 17th Annual Northwest Film & Video Festival, » Oregon Art Institute, Portland, OR

« Video Poetics, » Long Beach Museum of Art, Long Beach, CA (travelling exhibition)

« L’Amour de Berlin: Installation Video, » Centre Culturel de Cavaillon, Cavaillon, France

« A Force of Repetition, » New Jersey State Museum, Trenton, NJ

« Video Drive-In: The Alternative Voice, » Central Park Summerstage, New York, NY

« The Collectors’ Cabinet, » Curt Marcus Gallery, New York, NY

« Passages de l’image, » Musée national d’art moderne, Centre Georges Pompidou, Paris, France; Fundació « la Caxia, » Barcelona, Spain; The Power Plant, Toronto, Ontario, Canada; Wexner Center for the Arts, Columbus, OH; San Francisco Museum of Modern Art, San Francisco, CA

« God & Country, » Greg Kucera Gallery, Seattle, WA

« V.I.P. video « “ image « “ peinture, » Galerie du génie, Paris, France

« The Body Electric, » Pyramid Arts Center, Rochester, NY

« Le temps des machines, » Centre de recherche et d’action culturelle (CRAC), Valence, France

Dallas Video Festival ’90, Dallas, TX

« NON%*@#&?!SENSE, » Whitney Museum of American Art, New York, NY

« Bienal de la imagen en movimento « ˜90, » Centro de Arte Reina Sofia, Madrid, Spain

1989

« Impakt: Festival voor Experimentele Kunst, » Utrecht, Holland « Video-Skulptur Retrospektiv und Aktuell 1963-1989, » Kölnischer Kunstverein, Cologne, Germany; Neuer Berliner Kunstverein, Berlin, Germany; Kunsthaus Zürich, Zürich, Switzerland

Whitney Biennial, Whitney Museum of American Art, New York, NY

1989 Salso Film and TV Festival, Salsomaggiore, Italy

« Vidéoformes 89: Festival de la Creation Vidéo, » Clermont-Ferrand, France

« Machination, » Saint-Gervais, Gèneve, Switzerland « Filmer à tout prix, no. 4, » Brussels, Belgium

« 1989 Athens International Film and Video Retrospective, » Ohio University, Athens, OH

« Atlanta Film and Video Festival, » Woodruff Arts Center, Atlanta, GA

« Electronic Landscapes, » The National Gallery of Canada, Ottawa, Ontario, Canada

Videokunst 10, Stadtgalerie Saarbrücken, Saarbrücken, Germany

« The 4th Contemporary Art Festival: Moving Images Now, » Museum of Modern Art, Toyama, Japan

The 3rd Fukui International Video Biennale: « Expansion & Transformation, » Fukui City, Japan

2nd Japan Video Television Festival: « Delicate Technology, » Spiral, Aoyama, Tokyo, Japan

« Les Cent jours d’art contemporain de Montreal 1989, » Centre international d’art contemporain de Montreal, Montreal, Quebec, Canada

« Video and Language, » Museum of Modern Art, New York, NY

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

« Extended Definitions: Video Experiments in Perception, » Artists Space, New York, NY

« Eye for I: Video Self-Portraits, » (organized by Independent Curators Incorporated, New York, NY) Whitney Museum of American Art, New York, NY; Ball State University Art Gallery, Muncie, IN; Galleria Fac-Similie, Milan, Italy; Centro Video Arte, Palazzo dei Diamanti, Ferrara, Italy; Vancouver Art Gallery, Vancouver, British Columbia, Canada; Stedman Art Gallery, Rutgers, The State University of New Jersey, Campus at Camden, Camden, NJ; Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC; University Art Museum, California State University, Santa Barbara, CA; Gallery One One One, University of Manitoba, Winnipeg, Manitoba, Canada

« 1989 Whitney Biennial Film & Video Exhibiton, » Institut d’estudis nord americans, Barcelona, Spain

« Image World: Mediamedia, » Whitney Museum of American Art, New York, NY

« 3 Semaine Internationale de Video, » St. Gervais-Genève, Geneva, Switzerland (festival selection)

« Selections from the Permanent Collection: Recent Acquisitions « “ Video, » San Francisco Museum of Modern Art, San Francisco, CA

1988

« Infermental VII, » organized by Hallwalls Contemporary Arts Center, Buffalo, New York (travelled internationally to over 30 venues)

« Collected Video Essays, » Long Beach Museum of Art, Long Beach, CA

« Art Video Americain. Les Annees quatre-vingt, » Le centre de recherche, d’echange et de diffusion pour l'art contemporain (CREDAC), Paris, France

« Estetica de la Generacion Animacion por Ordenador, » Instituto de Estudios Norteamericanos, Barcelona, Spain

« Degrees of Reality, » Long Beach Museum of Art, Long Beach, CA

Videowochen im Wenkenpark, Riehn/Basel, Switzerland

« AS TOLD TO: structures for conversation, » Walter Philips Gallery, Banff Centre, Banff, Alberta, Canada

« 3. Videonale, » Bonn, Germany

« The World Wide Video Festival, » Kijkhuis, The Hague, The Netherlands

« Ethique & Television: 4 Manifestation Internationale de Video et TV, » Montbéliard, France

« Carte Blanche à Georges Rey, » Musée d’art moderne, Villeneuve d’Ascq, France

Festival International du Nouveau Cinéma et de la Vidéo Montréal, Montreal, Quebec, Canada

« Montebeliard Video, » L’Entrepot, Paris, France

32nd London Film Festival, London, England

« Art/Documents: vidéo, » Centre Municipal d’Activités Culturelles, Ville de Gentilly, France

1987

Centre national d’art contemporain de Grenoble, Grenoble, France

« Video Discourse: Mediated Narratives, » La Jolla Museum of Contemporary Art, La Jolla, CA

« Infermental VI, » Western Front, Vancouver, British Columbia, Canada (travelled internationally)

« Video Discourse: Mediated Narratives, » Institute of Contemporary Art, Boston, MA

Athens International Video Festival, Ohio University, Athens, OH

« Video as Art: Channel 3, » First Street Forum, St. Louis, MO

« Contemporary Diptychs: Divided Visions, » Whitney Museum of American Art, Fairfield County, Stamford, CT

Whitney Biennial, Whitney Museum of American Art, New York, NY

« The Other New York: Regional Reflection, » American Museum of the Moving Image, Astoria, NY

7. Berner Poesietage, Kunstmuseum Bern, Switzerland

1987 Salso Film and TV Festival, Salsomaggiore, Italy

« Daniel Wadsworth Memorial Video Festival, » Real Art Ways, Hartford, CT

« The Situated Image, » Mandeville Gallery, University of California at San Diego (UCSD), La Jolla, CA

« Documenta VIII, » Museum Fridericianum, Kassel, Germany

6. Erlanger Videotage, Erlanger, Germany

Japan 87 « “ The 1st Video Television Festival: « Private Visions and Media Crossover, » Spiral, Aoyama, Tokyo, Japan

« 15th Avenue Studio #2: The Mechanics of Contemplation, » Henry Art Gallery, University of Washington, Seattle, WA

« Terrorising the Code « “ Recent U.S. Video, » Australian Centre for Photography, Sydney, Australia; Centre for the Arts, Hobart; Experimental Art Foundation, Adelaide; Australian Centre of Contemporary Art, Melbourne; Wellington City Art Gallery, Wellington, New Zealand; Artspace, Auckland, New Zealand

« The Arts for Television, » international travelling exhibition organized by the Museum of Contemporary Art, Los Angeles, CA, and the Stedelijk Museum, Amsterdam, The Netherlands

« Computers and Art, » Everson Museum of Art, Syracuse, NY; Contemporary Arts Center, Cincinnati, OH

15th Annual Northwest Film & Video, Northwest Film & Video Center, Oregon Art Institute, Portland, OR

« Cinq pièces avec vue: 2 Semaine Internationale de Video, » organized by Bel Veder, Centre Génevois de Gravure Contemporaine, Geneva, Switzerland

2e Semaine Internationale de Vidéo, Saint-Gervais Genève, Geneva, Switzerland

’87 Tokyo International Video Biennale, Spiral Hall, Tokyo, Japan

« 12th Poetry Film Festival, » Fort Mason Center, San Francisco, CA

1986

« Video Transformations, » organized by Independent Curators Incorporated (ICI), New York, NY (travelled in the U.S. from 1986 - 1987)

« Video d’artistes: Robert Cahen, Gary Hill, Jacques Louis Nyst, Dan Reeves, » Salle Patino, Geneva, Switzerland

« Collections Videos: Acquisitions Depuis 1977, » Musée National d’art Moderne, Centre Georges Pompidou, Paris, France

« Cryptic Languages, » Washington Project for the Arts, Washington, D.C.

« The Image of Fiction: International Videoart, Infermental V, » Con Rumore, Rotterdam, Germany (travelled internationally)

« Resolution: A Critique of Video Art, » Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA

« Computer Art, Holography, Video, » Modern Visual Communication, Los Angeles, CA

« New York City Experimental Video and Film Festival, » Global Village, New York, NY; Donnell Library, New York Public Library, New York, NY; Staten Island Institute of Arts and Sciences, Staten Island, NY

« Poetic License, » Long Beach Museum of Art, Long Beach, CA

« A Video Primer: Electronic Art from the 80s, » The Katonah Gallery, Katonah, NY

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

« International Festival of Video Art, » SAW Gallery, Ottawa, Ontario, Canada; Centre for Art Tapes, Halifax, England; Forest City Gallery, London, England; EM Media, Calgary, Alberta, Canada; A Space, Toronto, Ontario, Canada; Video Pool, Winnipeg, Manitoba, Canada; Monitor North, Thunder Bay, Ontario, Canada; PRIM Video, Montreal, Quebec, Canada

« Video: Recent Aquisitions, » Museum of Modern Art, New York, NY

« Video and Language: Video as Language, » Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA; University of Iowa, Museum of Art, Iowa City, IA; The Renaissance Society, Chicago, IL

National Video Festival, American Film Institute (AFI), Los Angeles, CA

Thomas A. Edison/Black Maria Film & Video Festival, West Orange, NJ

1985

Whitney Biennial, Whitney Museum of American Art, New York NY

« A Video Sampler: Realities, » American Museum of the Moving Image, Astoria, NY

First Tokyo International Video Biennial, Asahi Hall, Tokyo, Japan

« Video Feature, » International Center of Photography, New York, NY

1985 National Video Festival, American Film Institute (AFI), Los Angeles, CA

« The Artist and the Computer. Personal Visions in a New Age. » Aaron Davis Hall, The Leonard Davis Center for the Arts, City College of New York, NY

San Francisco International Video Festival, San Francisco Art Institute, San Francisco, CA

« Image/Word: The Art of Reading, » New Langton Arts, San Francisco, CA

« Video: Recent Acquistions, » Museum of Modern Art, New York, NY

« Video Art: Stockholm International Festival « ˜85, » Kulturhuset, Stockholm, Sweden

Fukui International Video Festival ’85: « Video , Spirit of the Time, » Fukui, Japan

1985 Athens Video Festival, Ohio University, Athens, OH

Video Culture International Competition, Don Mills, Ontario, Canada

« Video: Works from the 1985 Whitney Biennial, » First Street Forum, St. Louis, MO

« Whitney Biennial Exhibition, » 6. Film Video Performance Tage, Kulturpanorama am Löwenplatz, Lucerne, Switzerland

« The Electronic Image: An Exhibition Series, » University Community Video, Minneapolis, MN

1984

« Mix » The Kitchen Center for Video, Music, Dance, Performance and Film, New York, NY

« Videographia, » Escoia I Centre d’Activtats Video, Barcelona, Spain

« Video-expo, » Paleis voor Schone Kunsten Brussel, Brussels, Belgium

« So There, Orwell 1984, » The Louisiana World Exhibition, New Orleans, LA

« Arte, Ambiente, Scena, » Biennale di Venezia, Venice, Italy

1st Festival Nacional de Video, Círculo de Bellas Artes, Madrid, Spain

« Video: A Retrospective / Long Beach Museum of Art, 1974-1984, » Long Beach Museum of Art, Long Beach, CA

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

National Video Festival, American Film Institute (AFI), Los Angeles, CA

« Video 84 « “ International Video Conferences, » Montreal, Quebec, Canada

« WNET/Thirteen TV Lab: A Survey, » Museum of Modern Art, New York, NY

1983

« Art Video Retrospectives et Perspectives, » Palais des Beaux-Arts, Brussels, Belgium

« The Electronic Gallery, » University Art Gallery, State University of New York, Binghamton, NY

Whitney Biennial, Whitney Museum of American Art, New York, NY

« American Video: Twenty New Works, » Museum of Modern Art, New York, NY; Museum of Modern Art, Hyogo, Japan and other Japanese, American and European venues

« Video As Attitude, » University Art Museum, University of New Mexico, Albuquerque, NM

« The Second Link: Viewpoints on Video in the Eighties, » Walter Philips Gallery, Banff, Alberta, Canada; Museum of Modern Art, New York, NY; Stedelijk Museum, Amsterdam, The Netherlands; A Space, Toronto, Ontario, Canada; Long Beach Museum of Art, Long Beach, CA; Institute of Contemporary Art, London, England

« Art & Technology: Electronic Visions, » Hudson River Museum, Yonkers, NY

Videoart: IV Festival International d’Art Video de Locarno, Locarno-Ascona, Switzerland

XXXI Festival Internacional de Cine de San Sebastian, San Sebastian, Spain

San Francisco International Video Festival, San Francisco, CA

19th Chicago International Film Festival, Chicago, IL

« Video Installation Exhibition, » Visual Studies Workshop, Rochester, NY

« Video Art: A History, Part Two, » Museum of Modern Art, New York, NY

London Video Arts, London, England

International Cultural Center, Antwerp, Belgium

Thomas A. Edison/Black Maria Film & Video Festival, West Orange, NJ

1982

Sydney Biennale, Sydney, Australia

« Text/Picture Notes, » Visual Studies Workshop, Rochester, NY

Siggraph ’82, Boston, MA

« Return/Jump: A Video Retrospective, 1979 - 82, » The Kitchen, NY

« Freie Video-Produktionen aus den USA, » Steirischer Herbst « ˜82, Funkhaus Graz, Graz, Austria

1981

« Projects Video XXXV, » Museum of Modern Art, New York, NY

« Gorewitz, Hocking, Miller, Hill, » Video Free America, San Francisco, CA

« Serious Video: The Technology and its Art in the 80s, » Video Night, Artists’ Post Production Studio, Long Beach, CA

« The Electronic Gallery: An exhibit of videotapes by ten artists from The Experimental Television Center, » Studio A Lecture Hall, State University of New York, Binghamton, NY

Seventh Annual Ithaca Video Festival, Johnson Museum, Cornell University, Ithaca, NY

« Television: Transformations and New Forms, » (organized by Women’s Interart Center) Goethe House, New York, NY

National Video Festival, American Film Institute, John F. Kennedy Center for the Performing Arts, Washington, D.C.

103rd Annual Daniel Wadsworth Memorial Video Festival, Montevideo, Old State House, Hartford, CT

« New York Video, » Städtische Galerie im Lenbachhaus, Munich, Germany

« Fast-Switch-Quick-Edit, » Anthology Film Archives, New York, NY

« The 1981 Video Awards Festival, » Visions at Just Above Midtown Gallery, New York, NY

« Video Europäische Videotheken, » Städtische Galerie im Lenbachhaus, Munich, Germany

« Themes in Electronic Image Processing, » The Kitchen Center for Video, Music, Dance, and Performance, New York, NY

1980

« American Video: New York, Seattle and Los Angeles, » (organized by the Museum of Modern Art, New York, NY) The Seibu Museum, Tokyo; The Museum of Modern Art, Hyogo, Kobe; Fukuoka Art Museum, Fukuoka City; Osaka Prefectural Contemporary Art Center, Osaka City; Hokkaido Museum of Modern Art, Sapporo City; Hara Museum of Contemporary Art, Tokyo, Japan

« Installation: Video: An Exhibition of Diagrams, Documentation and Video/Installation, » Hallwalls Contemporary Arts Center, Buffalo, NY

« Video 80 / San Francisco International Video Festival, » San Francisco, CA

1980 Athens Video Festival, Ohio University, Athens, OH

Center for Media Art, American Center, Paris, France

1979

Third Annual Atlanta Independent Film & Video Festival, Atlanta, GA

« FIVF, » The Kitchen Center for Video and Music, New York, NY

Fifth Annual Ithaca Video Festival, Herbert F. Johnson Museum of Art, Ithaca, NY

« CAPS Video Festival: 1978 - 79, » Media Study/Buffalo, Buffalo, NY

« Projects Video XXVII, » Museum of Modern Art, New York, NY

« Everson Video Revue, » Everson Museum of Art, Syracuse, NY; Museum of Contemporary Art, Chicago, IL; University Art Gallery, Berkeley, CA; La Jolla Museum of Contemporary Art, La Jolla, CA

« Synthesized Video, » Joe & Emily Lowe Art Gallery, Syracuse University, Syracuse, NY

Athens Video Festival, Ohio University, Athens, OH

« Political Comment in Contemporary Art, » Brainerd Art Gallery, Potsdam, NY

« Beau Fleuve, » (organized by Media Study/Buffalo, Buffalo, NY) The Center for Media Art, American Center, Paris, France; L’espace lyonnais d’action culturelle, Lyon, France; Musée Cantini, Marseille, France; Media Study/Buffalo, Buffalo, NY

« Image Processing: The Electronic Manipulation of Television, » The Kitchen Center for Video and Music, New York, NY

1978

4th Annual Ithaca Video Festival, Ithaca, NY

Atlanta Independent Film & Video Festival, High Museum of Art, Atlanta, GA

Athens Video Festival, Ohio University, Athens, OH

Video Free American, San Francisco, CA

1977

« Open Stacks: Video Exhibition and Temporary Access Archive, » Williams College Museum of Art, Williamstown, MA

Third Annual Ithaca Video Festival, Herbert F. Johnson Museum of Art, Ithaca, NY; Arnot Art Museum, Elmira, NY; Chautauqua-Cattaraugus Libraries, Jamestown, NY; Everson Museum of Art, Syracuse, NY

Upstate Films, Rhinebeck, NY

« Videotapes, performances, installations, »

Woodstock Artists’ Association, Woodstock, NY

Woodstock Video Expovision, Rhinebeck, NY

Artists’ TV Lab Invitational Video Expovision ’77, Arnolfini Arts Center, Rhinebeck, NY

« Dance Video Music, » Arnolfini Arts Center, Rhinebeck, NY

1976

« Experimental TV Center, Binghamton, Program II, » Anthology Film Archives, New York, NY

Woodstock Video Expovision « ˜76, Woodstock Community Video, Woodstock, NY

« New Work in Abstract Video Imagery, » Everson Museum of Art, Syracuse, NY; Flint Institute of Arts, Flint, MI; Tweed Museum, Duluth, MN; North Carolina Museum of Art, Raleigh, NC

Athens International Film Festival, Ohio Univerisity, Athens, OH

1975

Group screening. Anthology Film Archives, New York, NY

Group screening. Experimental TV Center, Binghamton, NY

Group screening. Anthology Film Archives, New York, NY

Woodstock Video Exposition, Artists’ Cooperative Gallery, Woodstock, NY

Group screening. Artists’ Cooperative Gallery, Woodstock Community Video, Woodstock, NY

« Projects Video VI, » Museum of Modern Art, New York, NY

« An Evening of Video, » Walnut Street Theatre, Philadelphia, PA

« Annual Avant-Garde Festival of New York, » New York, NY

1974

« Artists from Upstate New York, » 55 Mercer Gallery, New York, NY

Woodstock Artists’ Association, New York, NY

Invitational, Schenectady Museum of Fine Arts, Schenectady, NY

1973

« Video Night, » Woodstock Artists’ Association, Woodstock, NY

All-media exhibition. Woodstock Artists’ Association, Woodstock, NY

1972
Woodstock Artists’ Association, Woodstock, NY

1971

Woodstock Artists’ Association, Woodstock, NY

1970 Parnassus Square Artists’ Cooperative, Woodstock, NY

Walcott-Fields Gallery, New York, NY

Woodstock Artists’ Association, Woodstock, NY

1969
Parnassus Square Artists’ Cooperative, New York, NY

1968
Ryder Gallery, Los Angeles, CA

 

 

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